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member since January  29th, 2007

 

“Allégories”

Conceptual Digital Imagery

An allegory’s basic component remains its symbol, its emblem: although it contains in itself an immediate and sufficient meaning, the elements of which it’s assembled divulge a figurative worth that reveals its second and intentional significance. Through analogy, the concept’s reception is reinforced and the link between what’s real and what’s implicit is intensified. It is somewhere between this physical realism and this functional conceptualization that Allégories are situated. Intersecting between form and content, each work is a stylistic feature that materializes an impression by superposing and contrasting it against our expectations. The image will always provide an immediate and coherent meaning, but it’s at the second degree that the observer truly grasps the intended connotation; an abstract scheme of a personal analysis, judgement or inner state of mind. In other words, the spectator consents to take part in a substitution exercise to find, beyond the figurative representation, another dimension far from its original crest. In this imaginary framework, we are propelled in an elsewhere where each picture challenges conventional rhetoric. It is the bystander’s role as to reinstate it inside its compatible context. My approach, away from conventional or common paths, has led me towards mediums such as photography and digital art in order to fully develop my creative potential. With interests often associated with advertising and photojournalism, I chose here to present an interpretation of daily condition, an individual testimony sustained by convincing graphics to maximize its impact.  Allégories provide us with an informal vision pertaining to the duality of our relation with the external world, our behaviour towards its particulates and their symbolic.

                                                                        

“Allégories”  -   Limited series of  22 ,unframed

                                                                                                                                                                                                  price range:  € 150 -  € 550

    Illusion   Impostor   Utopia   Reverie
    The artist Peter Boyadjieff, originally from Bulgaria, studied art and design at the Nikolay Pavlovich University of Fine Arts in Sofia, Bulgaria and pursued further specialization in Computer Graphics at the Institut de Création Artistique et de Recherche en Infofraphie ICARI – Montreal, Canada. He has worked in a number of art-related fields as creative and art director, including corporate identity development and integration of public art in architecture.   The artist Peter Boyadjieff, originally from Bulgaria, studied art and design at the Nikolay Pavlovich University of Fine Arts in Sofia, Bulgaria and pursued further specialization in Computer Graphics at the Institut de Création Artistique et de Recherche en Infofraphie ICARI – Montreal, Canada. He has worked in a number of art-related fields as creative and art director, including corporate identity development and integration of public art in architecture.   The artist Peter Boyadjieff, originally from Bulgaria, studied art and design at the Nikolay Pavlovich University of Fine Arts in Sofia, Bulgaria and pursued further specialization in Computer Graphics at the Institut de Création Artistique et de Recherche en Infofraphie ICARI – Montreal, Canada. He has worked in a number of art-related fields as creative and art director, including corporate identity development and integration of public art in architecture.   The artist Peter Boyadjieff, originally from Bulgaria, studied art and design at the Nikolay Pavlovich University of Fine Arts in Sofia, Bulgaria and pursued further specialization in Computer Graphics at the Institut de Création Artistique et de Recherche en Infofraphie ICARI – Montreal, Canada. He has worked in a number of art-related fields as creative and art director, including corporate identity development and integration of public art in architecture.

All digigraphies are  available in two sizes :

8,5" x  11" ( 216 x 279mm )

printed as archival gicleé prints( EPSON Ultra Chrome K3 Inks) on Strathmore Texture  Archival Paper

(acid –free 260gsm), signet and numbered, with a certificate of authenticity provided.
     
13" x   17" ( 325 x 425mm )

printed as archival gicleé prints ( EPSON Ultra Chrome K3 Inks) on Fine Art Hahnemühle  Archival Paper

(acid –free 310gsm), signet and numbered, with a certificate of authenticity provided

     
     

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